Thank you very much for presentation of your energetic work crossing various countries... By skimming your webpage, we were able to catch the philosophy of your project... Finally, please note that, according to the result of the evaluation, UNESCO would be able to offer moral and practical support to your project.

Tereza Wagner,
Division of Arts and Cultural Enterprise,
United Nations Educational, Scientific and Cultural Organization.
7, place de Fontenoy
75352 Paris 07 SP France
CLT/ACE/ACS

Innocent Marpl can be a little monster, with the head of a lion and the body of a dolphin. The latter would coil, the former gnash its fangs. It could adorn an entrance or simply burst out of a wall without any apparent puprose, the absence of whitch would make it oddly recognizable. In a certain line of work, and at a certain age, nothing is more recognizable than a lack of puprose. The same goes for a fusion of two or more traits or properties, not to mention genders.

Josiah,
Book of Innocence

Innocent Marpl is a breath of mystery on your cheek. Co-operation with mystery changes the essence of art: instead of imitating life it becomes life itself.

Innocent Marpl is inimitable because his mystery is his essence, and how can you multiply a mystery? You can just touch it.

Being filled with inexhaustible senses Innocent is polysemantic and it is the pledge of his success: he is not adequate to himself because he does not stop changing. Therefore Innocent is a process, not result. And by abolishing result we turn art into a ritual.

Innocent as a phenomenon of post-industrial culture leads us to the folklore with no author, only with performers: the sacred meaning of the dance can be comprehended only by the dancer. Ritual is not something to sympathize for, it is to participate in, and in order to appreciate its importance it is necessary to judge it from inside. On the other hand - everybody who wants to do that can become co-authors.

Internet: Tatiana Snegovskaja-Arsh

This project is supported by NGO Fabrika EMC2